The original 60 Hanon exercises have now been perfected and transposed to every major key, offering Charles-Louis Hanon's piano book "The Virtuoso Pianist In Sixty Exercises" - PART PDF Format - pages - Piano exercises. teshimaryokan.info The Virtuoso-Pianist. Part I. Preparatory Exercises for the Acquirement of Agility, Independence,. Strength and Perfect Evenness in the Fingers. [PDF] - Piano solo - Instructional * License: Public domain - In English.
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Preparatory Exercises for the Acquirement of Agility, Independence,. Strength ( M.M. d: 60 to ) CD Sheet Music (tm) -- Hanon -- The Virtuoso Pianist. Preparatory exercises for the Acquirement of Agility, Independence, the 20 exercises in this First Part, begin with the metronome set at 60, gradually increasing. Hanon piano pdf - Click to print. The Virtuoso Pianist by C. L. HANON Part 1 transposed in all keys. PDF Format - pages - Piano exercises. GET IT ON.
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If you use and like Free-scores. Do not see this window again for the duration of the session. Hanon, Charles-Louis - Instrumentation: Piano solo Style: Instructional Publisher: New York: Schirmer, Plate Copyright: Search inside document. TP Sheet.
CDi The Virtuoso-Pianist. Part I.
Stretch between the fifth and fourth fingers of the left hand in ascending, and the fifth ana fourth fin- gers of the right hand in descending. For studying the 20 exercises in this First Part, begin with the metronome set at 60, gradually increas- ing the speed up to ; this is the meaning of the double metronome-mark at the head of each exercise. Lift the fingers high and with precision, playing each note very di C. Observe that, throughout the book, both hands are continually executing the same difficulties; in this way the left hand becomes as skilful as the right.
Besides, the difficulties executed by the left hand in ascending, are exactly copied by the same fingers of the right hand in descending; this new style of exercise will cause the hands to acquire perfect equality. The entire work should be practised in this manner. Therefore, when playing the numbers in the First Part, stop only on the last note on pp. Luiziana Costa Melo Pereira.