Inception (PDF script) Undated Shooting Script Written by Christopher Nolan. Inception () Movie Script. Read the Inception full movie script online. SS is dedicated to The Simpsons and host to thousands of free TV show episode. Inception is a film which was written, co-produced, and directed by Christopher Nolan. Is that all, Chris? What a slacker. Inception movie script by.
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INCEPTION. By. Christopher Nolan. SHOOTING .. Inception. Arthur raises his eyebrows. Cobb is poker-faced. SAITO. Is it possible? ARTHUR. Of course not. Christopher Nolan Screenplays, Christopher Nolan scripts, download His screenplays are a master class in the craft. . INCEPTION (). Quite often, the first ten minutes of a screenplay are the slowest, bogged down This article will examine how Inception's first ten pages are.
COBB I think this is yours. There are pretty much no wasted notes, and all of the dialogue is pretty much dead-on — with a few exceptions, like some of the chunks of exposition. The Elderly Japanese Man picks up the cone between thumb and forefinger. I couldn't help noticing your name. Just sign up below to gain instant access.
Starting with the end or near the end of the story and then zooming back to the start is one of the oldest tricks in the book, but it works incredibly well here for a number of reasons. It puts the audience on the back foot with a scene that is deliberately vague except for a tiny nugget of information: The film then shifts to an entirely different period of time and a business pitch between two characters, which the script heavily hints are the same two people we were reading about in the previous scene.
Why does this bearded man want to kill this Japanese man?
What has turned this handsome and tailored man into a wreck, collapsing on a shore? How did they get from this scene to that one? Also, a man washing up on a shore with a gun is more dramatic and visually striking than the stuffy exposition pitch between Cobb, Arthur, and Saito that takes place on page 2, which is where the story really begins. Cobb is introduced in just a few words.
No rambling description, just a few choice words: We expect a professional, perhaps even a success story; if you hate people in suits, you might even dislike him. This is not uncommon: This would give other screenwriters heart attacks, but the introduction of Mal Marion Cotillard on reveals just why:.
Arthur nods. What's she doinghere, Cobb? Cobb turns to see a beautiful woman, elegantly dressed, staring out at the sea.
This is MAL. Cobb watches her. You just get to your room. Se that you do. For the first sequence of the film, we are hoodwinked into thinking Saito is the villain, until he unexpectedly gives Cobb a job.
But Mal is the real villain or antagonist of Inception , and Nolan establishes who the two main characters are by giving them the biggest descriptions, and ensuring that our focus is mainly on the bitter love story between Cobb and Mal. Her entrance is effective and Nolan creates a picture of her instantly:. Arthur brushes past Mal, shaking his head. She nears Cobb. Looks out at the DROP. If I jumped, would I survive? With a clean dive, perhaps. Mal, why are you here? She turns to look at him.
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The way the projections persecute the dreamer? Mal puts her hand on his face. Admit it, Dom. You don't believe in one reality any more. So choose. Choose your reality like I did.
Choose to be here. Choose me. Rising anger I have chosen, Mal. Our children. I have to get back to them. Because you left them.
You left us. A child's shout draws Cobb — James crouches on the porch, back to us. Philippa joins him, also turned away. Cobb watches, moved. Mal leans in close. And that's when she calls to them, and they turn to show their faces. In limbo. Various people have written to me to tell me that that entire scene appears in the film — I guess it just jumped out at me more, when I read it on the page, and it's interesting to read through it.
Anyway, if you're still puzzling out Inception and thinking of seeing it again, you might want to get this book instead.
Having something to hold in your hands and page back and forth through again and again might just help you figure out what's real and what's illusion. The A. Charlie Jane Anders. Filed to: Share This Story. The Root The Grapevine.